Magic Locker Sectory 14
Page 07

Yes, I believe that it is right and wholesome to do this, because the most treacherous and cowardly thing we can do is to disbelieve in life. Those old dreams and visions were true enough, and they will be true again. They represent the real life to which we must try to return. We must try to build up the conception afresh, not feebly to confess that we were all astray. We cannot abolish evil by confessing ourselves worsted by it; we can only overcome it by holding fast to our belief in labour and order and peace. It is a temptation which we must resist, to philosophise too much about war. Very few minds are large enough and clear enough to hold all the problems in their grasp. I do not believe for an instant that war has falsified our vision of peace. We must cling to it more than ever, we must emphasize it, we must dwell in it. I regard war as I regard an outbreak of pestilence; the best way to resist it is not to brood over it, but to practise joy and health. The ancient plagues which devastated Europe have not been overcome by philosophy, but by the upspringing desire of men to live cleaner and more wholesome lives. That instinct is not created by any philosophy or persuasion; it just arises everywhere and finds its way to the light.

The chapels are fifteen in number, and lead up to a larger and singularly graceful one, rather more than half-way between Saas and Saas-Fee. This is commonly but wrongly called the chapel of St. Joseph, for it is dedicated to the Virgin, and its situation is of such extreme beauty--the great Fee glaciers showing through the open portico--that it is in itself worth a pilgrimage. It is surrounded by noble larches and overhung by rock; in front of the portico there is a small open space covered with grass, and a huge larch, the stem of which is girt by a rude stone seat. The portico itself contains seats for worshippers, and a pulpit from which the preacher's voice can reach the many who must stand outside. The walls of the inner chapel are hung with votive pictures, some of them very quaint and pleasing, and not overweighted by those qualities that are usually dubbed by the name of artistic merit. Innumerable wooden and waxen representations of arms, legs, eyes, ears and babies tell of the cures that have been effected during two centuries of devotion, and can hardly fail to awaken a kindly sympathy with the long dead and forgotten folks who placed them where they are.

A fuller acquaintance with the art and art-methods of countries of which but little had before been known has been an element in art expansion. Technical methods which have not been absolutely adopted by European and English-speaking artists have yet had an influence upon their art. The interest in Japanese Art is the most important example of such influence, and it is also true that Japanese artists have been attracted to the study of the art of America and Europe, while some foreign artists resident in Japan--notably Miss Helen Hyde, a young American--have studied and practised Japanese painting to such purpose that Japanese juries have accorded the greatest excellence and its honors to their works, exhibited in competition with native artists.

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